Get paid To Promote at any Location

Sunday, December 12, 2010

Coley Dawn Tattoos

image1st47 S&I Doll– Coley Dawn 
My mom has tattoos and I got to watch her get a few of them when I was young. My mama was my idol, so of course I always wanted to get one like her. When I turned seventeen she brought me to her artist for my first tattoo. I was surprised, so I hadn’t thought about what to get. I chose to get my name with a little flower next to it. It’s hideous. But of course it is my first one and represents that time in my life. Therefore I cannot bring myself to cover it.

My sleeve has a lot of meaning, all surrounding family. The top half is a portrait of my mother with her favorite plants and flowers around it. Gerber daisies and English ivy. The lower part has a full moon, an owl, two trees and a girl turning into the wind. The owl represents my grandmother who raised me. She is sitting in one of the trees overlooking, protecting and providing wisdom to the girl.  The trees represent strength. The full moon I included because that is a time of high energy and gravity. Generally most of the crazy things I’ve done happened during full moons. The girl becoming the wind represents my freedom to go wherever and be whatever I want. I love change and, like the wind, I never stay in one place for too long.

I have had multiple talented artists work on me. Tattoo Tina did my back and foot.  My neck was done by Tennessee, owner of Crossbones Tattoo. And the sleeve was done by Yetti at Electric Dragonland in Hopkins, MN and Skip Sampson of 1603 in Ybor City, Florida.
Professionally I am a hair and makeup artist. I work on photo shoots, film and television, and I recently signed with an agency. I live in an apartment on the ocean, have a great family and amazing friends, and I live across the street from a cheap bar with good music. The only thing left that I really want to do is learn to drive a motorcycle, and be in a financial position to be able to buy one.

www.modelmayhem.com/coleydawn
image1st251 680x1024 S&I Doll– Coley Dawn

Tattoed To The Max

 Article by Miles Andersen

Photography by Steve Prue

One flight up at number 269 on New York’s famous Canal Street sits Unimax Tattoo Supply, a one-stop shop for most everything related to the practice of body modification. Unimax was founded and is owned to this day by tattoo scene veteran of over 20 years, Wes Wood. The store has long been a fixture on Canal Street and the shop has been at the current address for the past decade. The vibe at Unimax is laid back and the absence of attitude makes for an experience that is just as painless for newbie collectors and fledgling artists as it is for the veteran set. A large part of the charm and personality of the establishment comes from two of the Unimax employees, Vanessa Fortin and Caitlyn Breen. Both Native New Yorkers, Vanessa has managed Unimax East (there is a sister shop in Arlington, TX) for most of the ten years she’s been with the company. Caitlyn was hired onto the sales and floor staff in 2008.


Vanessa got bitten by the tattoo bug as a youngster when her parents owned an art gallery in Upstate New York. Across the street from the gallery lived a couple of bikers whose ink collections planted the seed for Vanessa’s future love affair with the ink and needle. Vanessa’s family relocated to New Mexico, where she later began working with tattoo equipment, a skill that would one day get her foot in the door when she came back to the Big Apple and applied for work at Unimax.

“I got the job here because I knew how to make tattoo machines.” Vanessa explains.  “That was my in.” Vanessa moved up quickly in the company and was managing the

New York store within her first year of employment.”


It was about two years ago that Vanessa and Caitlyn’s paths first crossed when the girl from Long Island, and current Brooklyn resident came to Vanessa looking for work. “With Caitlyn, anything goes,” Vanessa says of her close friend and co-worker. “She’s young and she’s got great energy. I love to be around that.”

Growing up in Port Washington, Caitlyn didn’t see a whole lot of heavily tatted people, but she found herself intrigued by the artwork and colors of the tattoo community members she did occasional encounter.

Caitlyn says that the pieces in her collection hold no hidden meanings or contain an autobiographical element. “When I see something I like, I’ll be like, ‘I want that tattooed on me,” says Caitlyn who describes her pieces as running from the “ridiculous” to the “classic.” Caitlyn got her first piece, the lightening bolt on her wrist, when she and her sister cut school to get inked. She followed that up with the ivy on her hips, work she regrettably has yet to complete. The prized piece in Caitlyn’s collection is the portrait of Marylin Monroe that sits on her upper right leg that was inked by Lalo from Sacred Tattoo, a New York shop founded and owned by Wes Wood. Caitlyn’s main artist these days is her boyfriend Mike Deering, who works out of A-List Tattoo in the Bay Ridge area of Brooklyn.

It was during her time in New Mexico developing the craft of machine building that Vanessa embarked on her own collection. “None of this was really planned,” said Vanessa about her intricate sleeve work. “I sort of just went piece by piece with it. You can see that I like lots of color. A big part of this is being able to find the right artist. A lot of artists contributed to the work, too many to star naming them.”

One of the more outstanding and meaningful pieces on Vanessa’s skin is the lone portrait in her collection, Frida Kahlo on her left leg. The piece is a tribute to her favorite artist and someone she has looked up to since childhood. “I love her and I wanted to be able to carry her around with me,” Vanessa confides.

SkinInk Unimax 4 640x1024 Inked To The Max

Aside from the work the ladies do at the shop, another element of their job entails representing the company at many of the region’s conventions, a facet of the job that Caitlyn Breen takes great pleasure in. “I love doing the conventions,” says Caitlyn. “I love meeting people and getting to see old friends. Whenever there’s a convention coming up, I jump all over it.” And being able to share the experience with a good friend is the icing on the proverbial cake for Caitlyn. “Vanessa has become a very good friend, and she’s also the best manager I have ever worked for. I’m very happy here.”

As for Vanessa Fortin, she has achieved what most people can only dream of– being able to make a living doing what makes her happy. “I love this company and I hope to grow even more with it. I don’t have any plans on leaving anytime soon. And Caitlyn’s friendship and energy helps keep me going. This really feels like home for me.”

Unimax East

Marilyn Manson's Statement

 It is sad to think that the first few people on earth needed no books, movies, games or music to inspire cold-blooded murder. The day that Cain bashed his brother Abel's brains in, the only motivation he needed was his own human disposition to violence. Whether you interpret the Bible as literature or as the final word of whatever God may be, Christianity has given us an image of death and sexuality that we have based our culture around. A half-naked dead man hangs in most homes and around our necks, and we have just taken that for granted all our lives. Is it a symbol of hope or hopelessness? The world's most famous murder-suicide was also the birth of the death icon -- the blueprint for celebrity. Unfortunately, for all of their inspiring morality, nowhere in the Gospels is intelligence praised as a virtue.

A lot of people forget or never realize that I started my band as a criticism of these very issues of despair and hypocrisy. The name Marilyn Manson has never celebrated the sad fact that America puts killers on the cover of Time magazine, giving them as much notoriety as our favorite movie stars. From Jesse James to Charles Manson, the media, since their inception, have turned criminals into folk heroes. They just created two new ones when they plastered those dipshits Dylan Klebold and Eric Harris' pictures on the front of every newspaper. Don't be surprised if every kid who gets pushed around has two new idols.

We applaud the creation of a bomb whose sole purpose is to destroy all of mankind, and we grow up watching our president's brains splattered all over Texas. Times have not become more violent. They have just become more televised. Does anyone think the Civil War was the least bit civil? If television had existed, you could be sure they would have been there to cover it, or maybe even participate in it, like their violent car chase of Princess Di. Disgusting vultures looking for corpses, exploiting, fucking, filming and serving it up for our hungry appetites in a gluttonous display of endless human stupidity.

When it comes down to who's to blame for the high school murders in Littleton, Colorado, throw a rock and you'll hit someone who's guilty. We're the people who sit back and tolerate children owning guns, and we're the ones who tune in and watch the up-to-the-minute details of what they do with them. I think it's terrible when anyone dies, especially if it is someone you know and love. But what is more offensive is that when these tragedies happen, most people don't really care any more than they would about the season finale of Friends or The Real World. I was dumbfounded as I watched the media snake right in, not missing a teardrop, interviewing the parents of dead children, televising the funerals. Then came the witch hunt.

Man's greatest fear is chaos. It was unthinkable that these kids did not have a simple black-and-white reason for their actions. And so a scapegoat was needed. I remember hearing the initial reports from Littleton, that Harris and Klebold were wearing makeup and were dressed like Marilyn Manson, whom they obviously must worship, since they were dressed in black. Of course, speculation snowballed into making me the poster boy for everything that is bad in the world. These two idiots weren't wearing makeup, and they weren't dressed like me or like goths. Since Middle America has not heard of the music they did listen to (KMFDM and Rammstein, among others), the media picked something they thought was similar.

Responsible journalists have reported with less publicity that Harris and Klebold were not Marilyn Manson fans -- that they even disliked my music. Even if they were fans, that gives them no excuse, nor does it mean that music is to blame. Did we look for James Huberty's inspiration when he gunned down people at McDonald's? What did Timothy McVeigh like to watch? What about David Koresh, Jim Jones? Do you think entertainment inspired Kip Kinkel, or should we blame the fact that his father bought him the guns he used in the Springfield, Oregon, murders? What inspires Bill Clinton to blow people up in Kosovo? Was it something that Monica Lewinsky said to him? Isn't killing just killing, regardless if it's in Vietnam or Jonesboro, Arkansas? Why do we justify one, just because it seems to be for the right reasons? Should there ever be a right reason? If a kid is old enough to drive a car or buy a gun, isn't he old enough to be held personally responsible for what he does with his car or gun? Or if he's a teenager, should someone else be blamed because he isn't as enlightened as an eighteen-year-old?

America loves to find an icon to hang its guilt on. But, admittedly, I have assumed the role of Antichrist; I am the Nineties voice of individuality, and people tend to associate anyone who looks and behaves differently with illegal or immoral activity. Deep down, most adults hate people who go against the grain. It's comical that people are naive enough to have forgotten Elvis, Jim Morrison and Ozzy so quickly. All of them were subjected to the same age-old arguments, scrutiny and prejudice. I wrote a song called "Lunchbox," and some journalists have interpreted it as a song about guns. Ironically, the song is about being picked on and fighting back with my Kiss lunch box, which I used as a weapon on the playground. In 1979, metal lunch boxes were banned because they were considered dangerous weapons in the hands of delinquents. I also wrote a song called "Get Your Gunn." The title is spelled with two n's because the song was a reaction to the murder of Dr. David Gunn, who was killed in Florida by pro-life activists while I was living there. That was the ultimate hypocrisy I witnessed growing up: that these people killed someone in the name of being "pro-life."

The somewhat positive messages of these songs are usually the ones that sensationalists misinterpret as promoting the very things I am decrying. Right now, everyone is thinking of how they can prevent things like Littleton. How do you prevent AIDS, world war, depression, car crashes? We live in a free country, but with that freedom there is a burden of personal responsibility. Rather than teaching a child what is moral and immoral, right and wrong, we first and foremost can establish what the laws that govern us are. You can always escape hell by not believing in it, but you cannot escape death and you cannot escape prison.

  It is no wonder that kids are growing up more cynical; they have a lot of information in front of them. They can see that they are living in a world that's made of bullshit. In the past, there was always the idea that you could turn and run and start something better. But now America has become one big mall, and because of the Internet and all of the technology we have, there's nowhere to run. People are the same everywhere. Sometimes music, movies and books are the only things that let us feel like someone else feels like we do. I've always tried to let people know it's OK, or better, if you don't fit into the program. Use your imagination -- if some geek from Ohio can become something, why can't anyone else with the willpower and creativity?

I chose not to jump into the media frenzy and defend myself, though I was begged to be on every single TV show in existence. I didn't want to contribute to these fame-seeking journalists and opportunists looking to fill their churches or to get elected because of their self-righteous finger-pointing. They want to blame entertainment? Isn't religion the first real entertainment? People dress up in costumes, sing songs and dedicate themselves in eternal fandom. Everyone will agree that nothing was more entertaining than Clinton shooting off his prick and then his bombs in true political form. And the news -- that's obvious. So is entertainment to blame? I'd like media commentators to ask themselves, because their coverage of the event was some of the most gruesome entertainment any of us have seen.

I think that the National Rifle Association is far too powerful to take on, so most people choose Doom, The Basketball Diaries or yours truly. This kind of controversy does not help me sell records or tickets, and I wouldn't want it to. I'm a controversial artist, one who dares to have an opinion and bothers to create music and videos that challenge people's ideas in a world that is watered-down and hollow. In my work I examine the America we live in, and I've always tried to show people that the devil we blame our atrocities on is really just each one of us. So don't expect the end of the world to come one day out of the blue -- it's been happening every day for a long time.

MARILYN MANSON
(May 28, 1999)